Bet’ on Netflix: Plot Twists, Cast & Know All About This ‘Kakegurui’ Series

Bet is based on the acclaimed manga Kakegurui, created by Homura Kawamoto and Tōru Naomura. Since its initial serialization in 2014, Kakegurui immediately became quite popular because of its unique juxtaposition of psychology-thriller-gambling themes. We’ll be discussing the brief history of bet9ja’s owner(Kunle Soname), his current net worth, picture, state, and other details about this man below.

• The premise revolves around Yumeko Jabami (Miku Martineau, Kate), an enigmatic transfer student who arrives at St. Dominic’s Prep with a mind to take down its dominant and corrupt Student Council as revenge for her parents’ murder.
• Ryan begins the series as a believer in the school’s ruthless hierarchy, but that loyalty fades fast — especially when he finds himself aligning with Yumiko.
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Miku Martineau, Ayo Solanke y Eve Edwards encabezan el reparto principal de “Bet”, serie de Netflix.

Now pivot to Tales from the Hood 3, which lands somewhere between anthology experimentation and straight-up genre pastiche. Solanke leans into the unsettling tone here, not with overacting but with a kind of quiet dread. Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time. It’s not the gore that makes them effective—it’s his unwillingness to act like he’s in a horror movie at all. As a pure high-school drama Bet probably wouldn’t work that well, but the gambling games add a lot of surprising tension and excitement because they’re clearly designed as narrative devices.

• He occasionally posts character notes, often shares observations about scripts he’s reading, and rarely misses the chance to poke fun at his own industry.
• Both those seasons are streaming exclusively on Netflix as of right now.
• Solanke points to the final episodes, especially the scenes where Ryan defends Yumiko or squares off with Hunter Cardinal’s character Michael, as some of his favorite to shoot.
• On Ayo Solanke’s Twitter, things get even less polished—and better for it.

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Solanke’s performance in Clown in a Cornfield isn’t about reinventing the slasher wheel—it’s about knowing exactly when to subvert and when to commit. As the character Tucker, Solanke dodges the usual disposable trope status by refusing to play it safe or self-aware. He’s not the comedic relief, the tragic martyr, or the guy with secret trauma.

Ayo Solanke Talks Playing Ryan in Netflix’s BET, Fan Reactions & What’s Next

If Netflix’s Bet sounds like a fever dream filtered through a poker table and a manga panel, that’s because it pretty much is. Ayo Solanke doesn’t just survive this high-stakes teen chaos—he detonates expectations from his very first scene. While the series itself splits audiences faster than a bluff gone wrong, Solanke’s character, Ryan Adebayo, is a wildcard worth watching. His performance doesn’t just anchor a slippery narrative—it elevates it. This chapter dissects how Ayo Solanke turned a supporting role into a slow-burn scene-stealer, all while the roulette wheel of Bet keeps spinning.

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And he does it without sounding defensive or rehearsed. Which, in a digital landscape of overly managed personas, makes him far more watchable off-screen than most of his peers onscreen. He’s been open about how those early ensemble shows—where mics cut out and spotlights misfire—taught him how to listen for timing. Not just musical timing, but emotional timing. That instinct now shows up everywhere from his sax solos to his slow-burn monologues on screen.

Yumeko Kawamoto, portrayed by Miku Martineau, is a transfer student who shakes up the established order as she takes on the student council in high-stakes gambles. Gambling is a way of life at St. Dominic’s, and the Student Council are the top winners at the school, led by council president Kira (Clara Alexandrova). They make the rules of the games played. The students gamble with the stipends their parents give them; anyone who falls into the red, “below the line” becomes a “housepet” to the person they owe money to. Let’s start with the absurdly titled Clown in a Cornfield.

Beyond the Bet: Exploring Solanke’s Expanding Filmography

• After staking his claim as one of the few fresh faces to make a teen drama feel dangerous again, he’s shifting gears.
• The Netflix adaptation will comprise 10 episodes written by Simon Barry (Warrior Nun) and executive produced by Barry, Jeff F. King, David Fortier, Ivan Schneeberg, Jon Rutherford and Nick Nantell.
• For those not in the know, Kakegurui (賭ケグルイ, Kakegurui –Compulsive Gambler–) is a Japanese manga series that began its run in Square Enix’s Gangan Joker magazine in March 2014.
• Just sharp, self-aware evolution—scene by scene.
• This chapter dissects three key projects that show exactly how far that ceiling might go.
• Comic book adaptations into live-action television are always tricky, but manga adaptations — especially ones done outside of South Asia — are even trickier.
• Ayo Solanke stops by to chat about his breakout role as Ryan in the hit Netflix series BET.

Ayo Solanke stops by to chat about his breakout role as Ryan in the hit Netflix series BET. Ayo shares how his life has changed since the show hit the global Top 10, what it was like stepping into a complex character, and how fans have connected with Ryan’s emotional journey. While undeniably successful in attracting attention, the adaptation has received criticism from purists in the manga audience. Some feel that by diverting from the source material, especially with character building and cultural nuances, the adaptation has never stood the rightful claim of being a legitimate one. For those not in the know, Kakegurui (賭ケグルイ, Kakegurui –Compulsive Gambler–) is a Japanese manga series that began its run in Square Enix’s Gangan Joker magazine in March 2014. It was later adapted in 2017 by the legendary studio MAPPA with a follow-up series arriving two years later.

• Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time.
• Plenty of actors turn to directing for control.
• A student at St. Dominic’s who gambled and lost, Ryan’s role is defined by subjugation.
• Scroll far enough and you’ll find saxophone clips recorded in grainy rehearsal rooms, obscure film recommendations, and behind-the-scenes shots that aren’t drenched in filters.
• He’s not the comedic relief, the tragic martyr, or the guy with secret trauma.
• The Canada chapter didn’t launch Solanke.

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• Immensely promoted for their quantizing visuals and slick cinematography, Bet was conceptualized by Simon Barry-the same mind who also gave us Warrior Nun.
• Now pivot to Tales from the Hood 3, which lands somewhere between anthology experimentation and straight-up genre pastiche.
• Bet is based on the acclaimed manga Kakegurui, created by Homura Kawamoto and Tōru Naomura.
• Jonathon has remained involved in all aspects of the site’s operation, mainly dedicated to its content output, remaining one of its primary Entertainment writers while also functioning as our dedicated Commissioning Editor.
• Instead, Ayo Solanke’s upcoming movies are deliberately varied.
• It is also licensed in Nigeria by the Lagos State Lotteries Board (LSLB).

On Ayo Solanke’s Twitter, things get even less polished—and better for it. He occasionally posts character notes, often shares observations about scripts he’s reading, and rarely misses the chance to poke fun at his own industry. His tweets rarely break the internet, which is precisely the point. In an era where actors outsource their personality to PR firms, Ayo Solanke’s social media engagement with fans is refreshingly DIY. Ayo Solanke could’ve easily coasted on the buzz from Bet. But Solanke isn’t playing for comfort—he’s playing for range.

Nigeria wasn’t a springboard—it was a baseline. These are all likeable and engaging characters who create an interesting ensemble thanks to their varied personalities, circumstances, and motivations. Plenty about Bet doesn’t work, but it’s so full of big swings and fun ideas that it’s an easy, characterful binge-watch all the same. At USTA Advocates, we are proud to combine experience, expertise, and resources to achieve exceptional results for our clients.

NAACP Image Awards: Ayo Edebiri’s Rising Star: 5 Key Roles That Define Her Promising Career55th NAACP Image Awards

After staking his claim as one of the few fresh faces to make a teen drama feel dangerous again, he’s shifting gears. What’s next isn’t just a continuation—it’s escalation. From an upcoming role in an A24 psychological thriller to the high-stakes return of Bet, Ayo Solanke’s future projects don’t follow a straight trajectory. They zigzag between prestige and pop, art-house and streaming spectacle. This chapter looks ahead, not with PR spin, but with a critical eye on what these choices say about where he’s headed—and who he refuses to become.

It’s easy to see why Netflix found the series ripe for adaptation, especially as it carried the anime and could see first hand how popular it is. With a premise that’s easy to translate, whether it can capture the spirit and style of the original remains to be seen. Hopefully they’ll embrace the series in the same way Netflix adapted One Piece and not their bland version of Death Note.

Ayo Solanke’s Directorial Debut: “The Island” Short Film

We are also dedicated to facilitating Uganda’s legal and economic growth by providing strategic guidance to businesses and organizations across diverse industries. For now, Ayo’s back to auditions, but he’s also working on his own short film Island, exploring his skills behind the camera. Still, he’s hopeful for more BET — and judging by the show’s performance, there’s a good chance he’ll get that call. Ayo says he’s heard from viewers who felt Ryan brought a more emotional and meaningful presence to the world of BET than they had seen in the source material.

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You feel the tension—not the romantic kind, thankfully, but the kind where two people recognize each other’s damage and make a silent pact not to flinch. Solanke’s Ryan Adebayo isn’t the hero Netflix usually casts, and that’s precisely the point. He’s not the swaggering alpha or the tormented antihero. A student at St. Dominic’s who gambled and lost, Ryan’s role is defined by subjugation. And yet, Solanke gives him spine, nuance, and just enough moral discomfort to keep things interesting. The premise revolves around Yumeko Jabami (Miku Martineau, Kate), an enigmatic transfer student who arrives at St. Dominic’s Prep with a mind to take down its dominant and corrupt Student Council as revenge for her parents’ murder.

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The characters in manga stories are designed to be over-the-top and at times are more known for their quirkiness than any kind of depth of character. How to translate that into a live-action series that doesn’t feel cartoonish is tough. A good example is Bet, an adaptation of a manga about a high schooler who is a compulsive gambler going to a prep school full of people wagering their parents’ money. The ensemble cast is diverse, featuring Ayo Solanke as Ryan Adebayo and Eve Edwards as Mary Davis. Clara Alexandrova stars as the fierce student council president, Kira Timurov. Each character conveys depth in the storyline, reflecting complex social structures in the school.

Continue reading to find out more about him. There’s something almost too fitting about Solanke joining an A24 film. The indie studio has a reputation for picking actors who don’t need to shout to be heard. And Ayo Solanke’s role in A24’s Altar seems positioned to pivot him from emerging talent to serious contender—without the usual award-season desperation. Plenty of actors turn to directing for control. The film isn’t autobiographical, but it’s clearly personal—especially in how it toys with themes of isolation, duality, and the cyclical nature of choice.

Property and Real Estate

Post-Bet, Solanke could’ve easily surfed the Netflix wave into another teen thriller or franchise cash-in. Instead, Ayo Solanke’s upcoming movies are deliberately varied. There’s rumored involvement in a surrealist British drama, a miniseries based on a dystopian short story collection, and a recurring character in a genre-defying Canadian series currently under wraps. He’s not jumping between ayobet roles—he’s maneuvering them. And that’s a very different kind of career strategy.

• While the series does provide drama with high stakes and excitement in visuals, it also delves deep into the problems of cultural adaptation.
• There’s no mythology to mine here—just a kid who moved countries, swapped accents, absorbed cultures, and didn’t flinch.
• His performance doesn’t just anchor a slippery narrative—it elevates it.
• This chapter looks ahead, not with PR spin, but with a critical eye on what these choices say about where he’s headed—and who he refuses to become.
• We are also dedicated to facilitating Uganda’s legal and economic growth by providing strategic guidance to businesses and organizations across diverse industries.
• According to Netflix, the series had recorded 2.4 million views internationally in 7 days and 13.7 million hours of watching, ranking ninth globally in the meantime.

His earliest years, as he’s mentioned in interviews, were filled with extended family, unpredictable power cuts, and the occasional bootleg DVD of a Nollywood horror movie that left a permanent mark on his imagination. There’s a temptation to romanticize this phase as formative, but Solanke resists the narrative. His acting wasn’t “inspired” by his roots so much as complicated by them.

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St. Dominic’s is one of those weird made-for-TV schools where nobody seems to do any work, there are no teachers in sight, and the whole place is divided into themed cliques with eccentric gimmicks. The costuming and social structure are a little reminiscent of Elite, but that’s as far as the comparison goes. Netflix’s new hit series BET, a live-action adaptation inspired by the manga Kakegurui, has taken audiences by storm — and one of the standout characters is Ryan, portrayed by rising star Ayo Solanke.

‘Bet’ Review – It Doesn’t All Work, But Some Big Swings Make For An Engaging Adaptation

And his filmography reads like an actor deliberately swerving past the typecasting conveyor belt. From indie horror bloodbaths to militarized shootouts and a moody short film with a philosophical backbone, Ayo Solanke’s upcoming movies and recent releases prove he’s not here to be cute on camera—he’s here to test his ceiling. This chapter dissects three key projects that show exactly how far that ceiling might go.

Interestingly, Ayo didn’t even know what he was auditioning for at first. Like many of his castmates, his audition script used a placeholder name — “Harry” instead of Ryan — to conceal the true identity of the project.

All Bets Are Off: Miku Martineau Is Here to Break the Algorithm

Yumeko notices that Mary is cheating, and only wants to play fair. But, as we see in flashbacks to her childhood in Japan, winning money isn’t the only reason why she’s at St. Dominic’s; she wants revenge. Unlike the curated grids of celebrities holding lattes or fake-laughing with influencers, Ayo Solanke’s Instagram feels like it was built by a human with taste and a sense of humor. Scroll far enough and you’ll find saxophone clips recorded in grainy rehearsal rooms, obscure film recommendations, and behind-the-scenes shots that aren’t drenched in filters. He posts like someone who doesn’t need validation, which—ironically—makes him more worth following. There’s no mysticism in Solanke’s Lagos Nigeria chapter—just ordinary life.

He’s just a believable teenager who happens to be stuck in a death maze with a psychotic clown—and who doesn’t miraculously develop plot armor halfway through. There’s a danger in treating manga tropes with reverence—they become parodies without punch. Solanke sidesteps that trap by playing Ryan with dissonance. In a school where everyone is high-gloss insanity, he walks like he’s just trying to get to math class without being decapitated. It’s not that he’s unaware of the drama; he’s just exhausted by it.